A Chronological Exploration of Nature, Technology, and Identity
Over the years, my work has evolved into a distinct style that remains rooted in the core themes of nature, technology, and human identity. Early on, a clear tension existed between organic life and mechanical forms, with vibrant natural landscapes clashing against technological structures. This phase symbolizes the struggle between the natural and artificial worlds, capturing the push and pull of opposing forces. As my work has progressed, these boundaries between nature and technology have blurred, reflecting how the digital age transforms our environment. Hybrid characters—part human, part machine—begin to emerge, representing the evolving human identity in a world increasingly shaped by technology. These figures embody the internalization of technology, where personal identity and ancient archetypes are reimagined through a modern, digital lens. In the later phases of my work, vivid colors and abstract forms intensify, creating surreal environments that are both alluring and unsettling. Neon hues and fragmented visuals invite viewers into a reality where the lines between physical and digital worlds dissolve. This phase highlights the profound impact technology has not only on our environment but on our sense of self. Through recurring symbols and unified themes, my body of work presents a cohesive narrative of transformation, from external conflict to internal metamorphosis, offering a reflection on the ongoing dialogue between nature, technology, and identity.
In this phase, I focus on the intricate relationship between humanity and technology. The artwork often features hybrid characters—part human, part machine—reflecting our increasing dependence on technological advancements and the merging of organic life with artificial systems. This exploration emerges from a deep curiosity about how technology alters our identity and sense of self. By portraying figures in moments of transformation or identity crisis, I question the implications of these shifts for the future of humanity, both physically and psychologically.
Why I do this: This phase arises from a desire to explore the tension between human essence and technological progress, confronting the existential questions that come with our ever-deepening integration with machines. It’s an inquiry into what makes us human in a world where the lines between man and machine blur.
Drawing inspiration from classical still life and vanitas symbolism, this phase delves into the themes of mortality, decay, and the fleeting nature of life. Through a modern lens, I integrate symbols of material wealth—like cryptocurrency and blockchain elements—juxtaposed with decaying organic forms. This contrast comments on the ephemeral nature of both wealth and life, suggesting that technological advancements, like physical objects, are subject to decay.
Why I do this: This phase stems from a fascination with how society values wealth and innovation, often ignoring the inevitable decay that awaits both. By merging historical symbols of death with modern-day digital currencies, I challenge the notion of permanence in an age where everything, even technology, is transient.
In this phase, I recontextualize classical mythology in modern settings, blending ancient narratives with contemporary issues. Characters like Medusa or mythological kings are set against a backdrop of technological advancement, echoing the timeless struggle between power, transformation, and fate. Through these figures, I explore how ancient myths still resonate in our current world, where themes of authority, fear, and transformation persist but are refracted through modern experiences.
Why I do this: My fascination with mythology stems from its ability to tell universal stories that transcend time. By placing these figures in today’s context, I explore the ongoing relevance of their narratives and use them as metaphors for today’s societal and personal conflicts—especially those linked to power, change, and identity in an evolving world.
This phase contrasts the natural world with artificial, human-made structures. I explore how technology disrupts, enhances, or diminishes the organic world. Through imagery of animals, plants, and organic forms interwoven with technological relics, I reflect on the tension between nature’s purity and the synthetic environments we create. There’s a dialogue in these works about preservation, destruction, and co-existence, with a nod toward environmental concerns and our responsibility in the world’s future.
Why I do this: I am driven by the need to explore our connection to nature in a world increasingly dominated by the artificial. This phase reflects my concern with how we engage with the environment, how technology impacts the natural order, and how the balance between the two may shape the future of both our planet and our lives.